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Re:《Twilight 暮光之城Ⅰ——暮色》 (中英文对照·完结)
“我哪里也不会去的。”我保证道。
“我们等着瞧。”他说着,又笑了起来。
我冲他皱起眉。“那么,继续——卡莱尔游到了法国。”
他顿了顿,又回到了他的故事。他转过身去看向了另一幅画面——所有画里最色彩斑斓的一幅,装裱得最为华丽的,也是最巨大的。它紧挨着门挂着,是门的两倍宽。那幅油画里溢满了穿着波浪纹的学士服的欢快的人物,他们有的站在长柱周围,有的站在大理石的阳台上。我说不清这是否代表了某个希腊神话,或者这些漫步在云端之上的人物是否出自圣经故事。
“卡莱尔游到了法国,然后继续在欧洲游历,访问那里的学府。夜里他研究音乐,科学,和医学——然后从中发现了他的职业,他的苦修,他可以拯救人类的生命。”他的神情变得敬畏,几近虔诚。“我无法恰当地描述这种挣扎。卡莱尔经过了两个世纪的痛苦的努力才完善了他的自我控制。现在他可以完全对人类血液的味道免疫,可以不受任何困扰地做他所热爱的工作。他从中找到了长久的平和感,在医院里……”爱德华移开视线,盯着空气,看了许久。忽然他似乎想起了自己的目的,他指点着我们面前的那幅巨大的画。
“他在意大利求学的时候,遇到了那里的其他人。他们比伦敦下水道里的那些幽灵更加开化,更有教养。”
他触到画在最高的阳台上的,看起来相对稳重的那四个人,沉着地低下头看着他们之下的一片混乱。我仔细地审视那群人,然后恍然大悟,吃惊地大笑起来,因为我认出了那个金发的男人。
“索利梅纳的灵感被卡莱尔的朋友大大地激发了,他经常把他们画成天神。”爱德华轻笑起来。“阿罗,马库斯,凯厄斯,”他说着,指点着另外三个人,两个是黑发,一个是如雪白发。“艺术的夜间保护人。”
“他们发生了什么事?”我大声提问道,我的指尖在离油画上的人物只有一公分的地方徘徊着。
“他们还在那里。”他耸耸肩。“他们在那里不知道待了几千年。卡莱尔只和他们待了很短的一段时间,只有几十年。他非常地钦佩他们的礼貌,他们的高尚,但他们固执地试图治愈他对‘他天生的食物来源’的厌恶,他们是这样称呼的。他们试图说服他,而他也试图说服他们,但双方都没有收到效果。在那时,卡莱尔决定去新世界试试。他梦想着能找到别的像他自己这样的人。他非常地孤独,你知道。
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"I'm not running anywhere," I promised.
"We'll see," he said, smiling again.
I frowned at him. "So, go on — Carlisle was swimming to France."
He paused, getting back into his story. Reflexively, his eyes flickered
to another picture — the most colorful of them all, the most ornately
framed, and the largest; it was twice as wide as the door it hung next
to. The canvas overflowed with bright figures in swirling robes, writhing
around long pillars and off marbled balconies. I couldn't tell if it
represented Greek mythology, or if the characters floating in the clouds
above were meant to be biblical.
"Carlisle swam to France, and continued on through Europe, to the
universities there. By night he studied music, science, medicine — and
found his calling, his penance, in that, in saving human lives." His
expression became awed, almost reverent. "I can't adequately describe the
struggle; it took Carlisle two centuries of torturous effort to perfect
his self-control. Now he is all but immune to the scent of human blood,
and he is able to do the work he loves without agony. He finds a great
deal of peace there, at the hospital…" Edward stared off into space for a
long moment. Suddenly he seemed to recall his purpose. He tapped his
finger against the huge painting in front of us.
"He was studying in Italy when he discovered the others there. They were
much more civilized and educated than the wraiths of the London sewers."
He touched a comparatively sedate quartet of figures painted on the
highest balcony, looking down calmly on the mayhem below them. I examined
the grouping carefully and realized, with a startled laugh, that I
recognized the golden-haired man.
"Solimena was greatly inspired by Carlisle's friends. He often painted
them as gods," Edward chuckled. "Aro, Marcus, Caius," he said, indicating
the other three, two black-haired, one snowy-white. "Nighttime patrons of
the arts."
"What happened to them?" I wondered aloud, my fingertip hovering a
centimeter from the figures on the canvas.
"They're still there." He shrugged. "As they have been for who knows how
many millennia. Carlisle stayed with them only for a short time, just a
few decades. He greatly admired their civility, their refinement, but
they persisted in trying to cure his aversion to 'his natural food
source,' as they called it. They tried to persuade him, and he tried to
persuade them, to no avail. At that point, Carlisle decided to try the
New World. He dreamed of finding others like himself. He was very lonely,
you see.
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